A Housewife’s Haunting

The Haunting of Alma Fielding: A True Ghost Story, by Kate Summerscale

Some events are so dark that to find them is an act of imagination as much as memory.

In 1938, as a storm gathered on the continent and Europe braced for something coming, yet unknown but surely terrible, in England a 34-year-old housewife named Alma Fielding began to experience strange and supernatural phenomena.

Alma lived a quiet life in Thornton Heath, a London suburb, with her son, husband, and a lodger. Seemingly out of nowhere the phenomena began — animals appeared in her clothes and handbag, objects flew violently around the house, handprints appeared on mirrors and mysterious antique objects manifested themselves from the folds of her clothing.

Alma went to the media with her story of these disturbances, and it eventually reached Nandor Fodor, a Hungarian investigator and researcher into otherworldly happenings, who was then working with the International Institute for Psychical Research.

Fodor quickly realized that Alma herself was the key to all the goings-on. And as much as Fodor believed in the research he did, he was also surprisingly grounded for his day: “He was learning that the golden age of psychical study was also the heyday of supernatural hustle, and to verify his subjects’ claims he would have to turn sleuth himself.”


Alma’s days were a repetitive round of domestic chores, relieved only by forays to the shops and cups of tea with friends. She had to dust and polish the many objects in her house, to darn, sew and knit, launder and iron, cook meals for her family, sweep hearths and floors, fetch coal and lay fires, scrub dishes, pots and pans. British women had enjoyed a spell of freedom during and immediately after the war, when many of them went out to work, but the popular press now encourage them to keep to the home. […] the ideal woman was contained, composed, restrained. But for a woman with psychic powers, different rules applied.


I’m going to go ahead and spoiler alert something that shouldn’t actually require a spoiler alert: Alma is what’s haunting Alma. The more interesting story here — and one much deeper and darker than anything supernatural — is why she’s doing it.

Once Fodor is on to her, this becomes the most pertinent question. “To find the origin of her phenomena, Fodor realised, he would have to take her dreams and inventions as seriously as if they had been real.”

Alma makes many visits to the London Institute where Fodor and others in the field of psychical research — each an interesting character in their own right — can observe her during seances. Slowly, Fodor unravels the tricks she uses, while learning from the “spirits” that possess and speak through her what the roots of the problems may be.

Summerscale fills in the narrative of events with Fodor’s biography and a wealth of historical and cultural context, including women’s roles at the time, the stifling anxiety of the brewing international conflict, and, most importantly, the lingering effects of untreated trauma. She also weaves in cultural touchpoints that help to further illuminate this era, like that Daphne du Maurier’s beloved Gothic novel Rebecca — also concerning a young housewife eerily haunted by the past — was published in 1938 as well.

Sigmund Freud’s work on the concept of the uncanny — “that class of the terrifying which leads back to something long known to us, once very familiar,” is key in the events here, as are the exact same ideas that even today lead people to give credence to the supernatural, and psychics, or the belief that you can “manifest” what you most want.


The more powerless people felt, the more liable they were to find significance in ordinary events, to attribute magical meaning to a mislaid utensil, a startled animal or a burst of rain.


Yep. It pretty much amounts to that.

Summerscale’s writing is excellent, which pleasantly surprised me because I’ve often heard her other books, as well as early reviews of this one, called a bit dry. I didn’t find that to be the case at all — for as much information as this packed in, both about Alma’s narrative, the peripheral characters, and the history and context of supernatural investigation, psychology and trauma, and the era’s current events, it was incredibly well told and organized. Not to mention how hard it is to structure that when so much subterfuge is at play. When Fodor and his assistants are finally beginning to solve the puzzling mystery of Alma’s tricks, and always trying to stay one step ahead of her, I found it unbelievably compelling.

And also greatly to her credit, Summerscale constantly treats Alma with compassion and respect, because she did suffer from immense mental strain and what seems like untreated mental illness, while still being very much a product of her times.

If you really want a “true ghost story” as the subtitle indicates, this isn’t it. But neither is anything else that promises to be. This was an excellent and detailed account of how and why haunting stories arise in the first place, and how their thrilling supernatural elements tend to be remembered better than the sad and dark truths that underlie them. We humans are far worse to each other than any imagined otherworldly monsters could be, but we don’t like to remember that. Better to imagine something beyond this world as the culprit for too-common pain instead of a loved one, or our own inability to cope.

Summerscale gives perhaps the best explanation like this: “A ghost was the sign of an unacknowledged horror. It indicated a gap opened by trauma, an event that because it had not been assimilated must be perpetually relieved. There were no words, so there was a haunting.”

The Haunting of Alma Fielding: A True Ghost Story
by Kate Summerscale
published April 27, 2021 by Penguin

I received an advance copy courtesy of the publisher for unbiased review.

29 thoughts on “A Housewife’s Haunting

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    1. They are such a mixed bag, aren’t they? I’ve had ones that echoed my thoughts immediately and I wish I hadn’t wasted my time on the book, and others that I passed on BECAUSE of reviews there only to eventually come back to and love. This one had a ton of lukewarm or bad reviews by the time I got to it so I thought I might only give it a skim and I ended up loving it! If you’re more of a believer than a skeptic I think you might be disappointed, but as a skeptic I loved how it deconstructed what was going on and the cultural and social context of it.

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  1. Excellent review! I must say, I don’t think I would pick this one up based on the title alone, but it sounds like it actually gives fascinating insights into the period and the workings behind supernatural stories. That seems far more compelling to me than a ‘true ghost story’, so I’ll definitely be keeping an eye out for it!

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    1. It really does! If you think it’s more interesting for those reasons than the ghost story aspect, I think you’d love it. I mean it is really the reality behind what we think of as a haunting, but I have the feeling that’s not the kind of truth most readers want to hear!

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    1. Thank you! It seems like a lot of readers who don’t often read nonfiction haven’t loved this one, so I’d page through a copy first and make sure it’s really your thing 🙂 But I thought it was excellent!

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  2. I was going to pass on this but you have changed my mind, I’m in! I read Mr Whicher a few years ago and found that hard going but to be fair in those days I mainly read fiction, am older and wiser now 😜. The quote of the housewife’s daily drudgery almost made me put my head in the oven (JOKE – Don’t try this at home kids and anyway it won’t work nowadays )

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    1. I had heard such mixed things about her previous books so never felt that motivated to read them, but was really intrigued by this topic since I love anything that debunks ghost and haunting-type stories. I loved this one, I could imagine her style might be more challenging if you don’t read much nonfiction but I’ve certainly read much more clinical or drier stuff than this!

      it’s so funny you mention that about the oven btw because I just read that Sylvia Plath bio a few months ago and was wondering about that, like how exactly that worked and if manufacturers had made it impossible now. Not that I want to try it, just genuinely curious about the mechanics of it!

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      1. Ooh this was so interesting!! That explains it. I read somewhere, can’t remember where now, that removing methods for suicide or access is a much bigger deterrent than people realize. It might’ve been in relation to the Golden Gate Bridge, because once they put a net or something of the sort beneath it suicides in the area dropped significantly rather than staying the same using other methods.

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  3. Am now arguing with husband about mechanics of death by oven and story no doubt apocryphal about man trying to kill himself by head in oven who gave up and then lit a cigarette….they have changed the mix of the gas i guess…

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  4. Really lovely review! I was put off by the subtitle and it may not surprise you to know that I’m far more interested in a book that looks at the challenges women faced in another era than I am in one that’s actually about ghosts. Your review has made me want to read this much more than anything else I’ve heard about it.

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    1. Thank you! I only picked it up because I’d read enough about it be sure it would stick to clearly debunking this. It probably focuses more on what exactly she did and how the Institute was interested in tracking her phenomena than the social aspect, but there was enough of it to make a really good history and I learned a lot from it!

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    1. It would definitely be a good one if you just want to see another side of what’s often going on in poltergeist or possession-type stories. Mary Roach’s Spook is a great one if you haven’t read it already! She admits to being a skeptic but says she likes to believe there are still some inexplicable happenings 🙂

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